Lake Minnetonka is calling Apollonia back
June 28, 2014 by admin
Filed under Choosing Lingerie
Comments Off
‘);
}
document.write(‘
‘);
document.write(‘
‘);
jQuery(‘.navTab’ + ad_AdvertiserArray.data[adt].advertiserID).click(ad_AdvertiserArray.data[adt], function(eventObj){
window.location.href = “http://” + hostEnv + “www.startribune.com/weekly-ads/?dppAID=” + eventObj.data.advertiserID;
});
jQuery(‘.navTabWa’ + ad_AdvertiserArray.data[adt].advertiserID).click(ad_AdvertiserArray.data[adt], function(eventObj){
window.location.href = “http://” + hostEnv + “www.startribune.com/weekly-ads/?dppAID=” + eventObj.data.advertiserID;
});
}
‘);
}
dppNavTab.start();
hide
Apollonia
ul > li > a > img {
margin-left: 4px;
}
]]>
- 0
- comments
-
resize text
- buy reprints
For the record: Apollonia never did purify herself in Lake Minnetonka. In fact, she’s never been to the Twin Cities’ biggest lake. And she hasn’t been in Minnesota since filming “Purple Rain” in 1983.
That will change Saturday when the Los Angeles actress returns to First Avenue to appear at the third annual Benefit 2 Celebrate Life, organized by former Prince and the Revolution drummer Bobby Z to raise awareness about heart health. She might even sneak in a trip to the lake.
Prince’s entreaty to her — “You have to purify yourself in the waters of Lake Minnetonka” — became the most quoted line from the movie, repeated time and again by singers who perform at First Avenue.
“I had no idea that it was going to be such a standout scene,” the real-life Patricia Kotero, 54, said by phone last weekend. “I thought it was the stage performances that would capture people’s hearts and souls.”
Apollonia also had no idea what she was getting into when she stepped into that exurban backwater near the Minnesota River town of Henderson, southwest of the Twin Cities.
Let’s set the scene. It was Nov. 2, 1983, the second day of the film shoot. It was freezing — the season’s first snow had fallen that day — and Apollonia was wearing a skimpy outfit. A stuntman was stationed in the water to catch her and keep her from getting stuck in the mud.
“As an actor, I was like, ‘Let’s go for it, man. I can do this.’ I did it and when I got out, I kicked [Prince]. I could feel the mud. There was dialogue, but it became improv. I couldn’t breathe when I got out. I wanted to check my body parts to see that they were still on me. They said ‘Cut’ and then we did it three more times. By the fourth time, I felt delirious. They took me to a tent, where they dried me off and there was a nurse.”
Apollonia was experiencing hypothermia. “I couldn’t see anymore and everything sort of faded to black. Prince came into the tent and he held me and I could hear the nurse, like it was in a faded dream: ‘We’re losing her’ and someone yelled ‘Ambulance!’ Prince started to tear up and said, ‘Please, don’t leave me, don’t leave me. I love you.’ It was surreal. I had no control. The two of them held me really tight with the blankets, and with the body heat, I started to come back. At one point, I was finally coherent and I was able to talk and I said, ‘We’ve gotta get more film in the can, man.’ ”
Here’s what else you might want to know about Apollonia:
• She talked to Prince two weeks ago. He told the Star Tribune last weekend, “it was the first time we talked in years.” No, they never were an item — just friends.
• Apollonia joined the cast of “Purple Rain” just a month before filming, when Prince’s girlfriend/protégée Vanity dropped out. They met later, at Vanity’s request, at an L.A. restaurant before the release of “Purple Rain.” Apollonia told Vanity she’d been offered a part in the movie “The Last Dragon” but “the script was awful. I showed it to Prince and he drop-kicked it across the living room.” Um, Vanity ended up with that role.
• Vanity had been the star of a Prince-formed female group, Vanity 6, which evolved into Apollonia 6. The vampy, lingerie-clad trio recorded a “very country western, rough demo” of the Prince-penned “Manic Monday” for their 1984 album but Prince decided it didn’t fit, according to Apollonia. He later gave the song to the Bangles, who took it to No. 2 in 1986. “Take Me With U” and “The Glamorous Life” were also originally planned for Apollonia 6’s album.
• Since making a 1988 solo album, Apollonia has not pursued singing but she has sung with Greg Dulli’s Twilight Singers on a couple of records.
• Apollonia had a post-“Purple Rain” acting career, including a season on TV’s “Falcon Crest” and several movies such as “Black Magic Woman” with Mark Hamill.
• About 10 years ago, she formed a production and management company, Kotero Entertainment. Right now she is focused on a band called the Fulcos, sort of a modern-day Partridge Family featuring mom and dad and four kids between the ages of 8 and 17.
• She will be the host of Saturday’s VIP pre-concert reception, and, during the concert, she and Bobby Z will discuss the movie that made her, Prince and First Avenue famous — and she might sing.
• She will probably wear purple to the benefit but cautions: “I’m very last-minute when it comes to choosing an outfit.”
• When told that the lake she made world-famous is now at its highest level ever, she said, “I think I might take a drive to Lake Minnetonka to check it out in its rare form. That sounds beautiful.”
‘);
}
if(jQuery.inArray(’2751′, userSubsArray ) == -1) {
document.write(‘
‘);
}
if(jQuery.inArray(’2701′, userSubsArray ) == -1) {
document.write(‘
‘);
}
‘);
}
ul > li > a > img {
margin-left: 4px;
}
]]>
- 0
- comments
-
resize text
- buy reprints
ADVERTISEMENT
- Most read
- Most Emailed
- Most Watched
<![CDATA[
]]>
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
inside the StarTribune
projects
Interactive: Create your own All Star Game line-ups
lifestyle
Taste 50: A celebration of farmers markets
jobs
entertainment
Download our summer e-book thriller, ‘Savage Minnesota’!
entertainment
Soundcheck: Minnesota musicians up close
lifestyle
Best of Minnesota 2014: Food, drink, getaways, design and more
-
425 Portland Av. S.
Minneapolis, MN 55488
(612) 673-4000
© 2014 StarTribune. All rights reserved.
StarTribune.com is powered by Limelight Networks
Share and Enjoy
Susan Rockefeller – The Ocean’s Voice
June 26, 2014 by admin
Filed under Choosing Lingerie
Comments Off
Paradigm Shifters is a series of interviews with a select group of women from eclectic walks of life. It will highlight unspoken, real life insights on how women have been able to turn weakness into strength. A naked soul point of view of how their breakdowns were really a preparation for breakthroughs. They are your quintessential Paradigm Shifters; internal shifts converted into genuine change.
Everything I have ever done has been focused on this underlying theme of shifting the paradigm because, “what we think determines what we feel and what we feel determines what we do.” Hence why Seven Bar Foundation and Empowered by You takes lingerie, which has traditionally been seen merely as a tool of seduction and redirected that energy as a tool of empowerment.
I hope from these stories you will look at your own situations, struggles and accomplishments through a different lens. At the very least you will be more equipped with real-life tools to change your own paradigm. At the end of the day we are our own Alchemist turning the silver we were born with into the gold are destined to become.
Susan Rockefeller
Susan Rockefeller – Conservationist, jewelry designer, documentary filmmaker, author
Renata: You are a board member of Oceana, the chair of Oceana’s Ocean Council, a member of the program committee for the Stone Barns Center for Sustainable Agriculture and a member of the global Leadership Council for Natural Resources Defense Council. Why did you decide to dedicate your life to supporting environmental protection?
Susan: I want to protect our environment because I love it. I would go out to East Hampton when I was young and absorb the magic of the elements of sun, sand, salt and water. I also spent summers in Maine, where I had more of the woods and the Henry David Thoreau experience of living simply. I feel like I became interested in the environment just by being in nature. And my dad is on the board of the Wilderness Society and my mom is a cultural anthropologist. She kept beautiful Native American baskets and ceramics in our home and I was amazed by what you could create from natural elements. So I would say it was a mix of family history, family interest and the notion that so much of what sustains us and creates beauty is from nature. It also provides us with everything we need, including our health. We all depend on nature, so to work to protect it is the sensible thing to do.
Your Dive Deep jewelry collection highlights nature’s beauty by incorporating ocean-inspired designs for each piece. What did you wish to capture in these designs?
Whether I see the sacred geometry of a sea urchin or the frond of an unfolding fern, I’m captivated by nature’s colors, beauty, patterns and forms. The Dive Deep collection has sea urchin rings, pendants, beads, and pearls, along with a few mermaids and sea stars. Each piece is a way to carry nature’s beauty with fashion.
On SusanRockefeller.com, the Circle of Mermaids is a place where women can write about and submit what they are most passionate about and how they protect what is precious. Why did you decide the mermaid would be the symbol of this project?
Mermaids represent our relationship to land and sea. They’re a metaphor for balance and the need to rest, rejuvenate and reimagine a world that is healthy and connected to the things that matter most. Circle of Mermaids invites people to tell their stories about their memories by the sea and give a voice to a community of people who care about their own health and the health of the planet. From telling our own stories, we learn about people’s passions and create a sense of community and a shared value to protect what we love.
Your film “Mission of Mermaids” details the negative environmental and human health effects ocean pollution causes. What were some of your goals when making this film?
I wanted to reach an audience that wasn’t necessarily science oriented. By using the myth of the mermaid and my lifelong love of beaches and oceans, I hoped to connect people to their own memories of the sea and combine their experiences with statistics and facts. I wanted to simultaneously entertain, educate and, most importantly, inspire people to protect our waters.
What is the biggest paradigm shift you have experienced where seeing something differently changed your life?
There are many moments I can point to. In the 80s when I was living in a small Alaskan village, I walked into the post office one day and saw a man who had died that was being prepared for burial. It was so clear to me when I saw him that it was just his body lying there and that his soul was gone, and from then on I put into perspective the purpose of human life and the relationship between the spirit and the physical body. And then having children made me realize that I’m part of this continuum of women that create life. I felt very much connected to the importance of protecting our children and our families and, by extension, making sure that the environment around us is healthy. We’re only as healthy as the environment and what we feed ourselves and our children. So it was this paradigm shift that we are all part of this human ecology and that the health of the environment is not only integral to our own health, but everyone’s as well.
Has there ever been a breakdown in your life that has lead to a breakthrough?
When I was in my 20s going into my 30s I was in a relationship for 5 years and realized that it wasn’t moving towards marriage. I had to make the decision to leave if I truly wanted to create a life with family and children. So it was staying in something and then choosing to leave because it wasn’t moving forward. I think part of experiencing a breakthrough is embracing failure because if you don’t take risks or stay true to who you are you don’t necessarily grow in the ways you need to grow. For instance, if a film I create appears to be a failure because it wasn’t received well or people didn’t understand it, am I going to feel silly that I’m doing a film on ocean health or creating a jewelry line that starts a conversation about an important issue like the health of the environment? No. If you don’t put it out there, you don’t know. And if you fail it doesn’t necessarily mean that you’re a failure. It means there is another way of doing things that is coming around the corner that will be more suitable for you.
What kind of legacy do you wish to leave behind with your work?
I want people to be able to give themselves what I call the mermaid moment. We each can awaken the modern mermaid in all of us by resting, rejuvenating and reimagining. I believe that if we give ourselves time to get away from all of the noise and the rush to do 500 things at once, we will live healthier lives. If the oceans are given time to rest, we should realize we need time to rest as well. Research on the ocean states that if fishing regulations are enforced, bycatch is minimized and fish habitats are protected, the oceans will rebound. It’s the same with us. If we take a meditation moment, maybe to walk or breathe more deeply, spend time with our children or listen more, transformation will happen. I hope my legacy will be that people can, in the process of taking time to rest, open their curiosity to the wonders inside themselves and the diversity of this magnificent planet. We’ll find ways in the process of discovery to live a life of substance.
Susan is the ultimate testament that perception is the ultimate catalyst for change. As soft spoken as she is, her unwavering determination to leave a lasting impact is a force of nature to be reckoned with. If you have experienced her films, you will experience the transformation this is having on our environment. I could not be prouder to highlight Susan as a Paradigm Shifter. The fact that someone like Susan exists makes me believe mermaids too.