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‘More Black Abortions.’ ‘Neo-Nazis.’ Sharp-edged radio ads target Alabama’s black voters.

December 13, 2017 by  
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MONTGOMERY, Ala. — The ad from Stars and Stripes Forever runs only infrequently; the conservative super PAC has spent just $4,720 to put it on some of Alabama’s black radio stations. But like all of the super PAC’s work, it grabs the listener’s attention with a fictional conversation between two fictional black voters about Democratic U.S. Senate nominee Doug Jones.

“I heard Doug Jones would add even more black babies to the 300,000 already being aborted this year,” a female voice says.

“Three hundred thousand black babies aborted?” a shocked male voice responds.

“A vote for Doug Jones is a vote for more black abortions, no school choice and higher taxes for job creators,” the first voice says.

“So he says whatever he needs to get our votes …”

. . . then keeps us down once he’s elected.”

The ad, which makes no mention of Republican nominee Roy Moore, is the latest product of a group originally created to help win the 2016 presidential nomination for Ben Carson. But in Alabama, it has been drowned out by harsh Democratic ads that attack Moore directly, accusing him of unexplored ties to white supremacists.

In urban areas where Jones needs to win big, the super PAC Highway 31 — a team-up between the Senate Majority PAC and Priorities USA, two Democratic groups — has purchased pre-roll ads that run before some YouTube videos. Over just a few seconds, images of Dylann Roof, who has been sentenced to death for killing nine people at a historically black church in South Carolina, flash across the screen.

“Roy Moore has ties to the same white supremacists who inspired the Charleston shooter,” says a narrator in the ad. “Vote for Doug Jones.”

In another spot, paid for by the Jones campaign and playing on radio stations, male and female narrators take turns warning of the support Moore has received from the far right.

“A Mississippi KKK group backed Moore’s refusal to enforce federal law,” the narrators say. “Moore’s organization took $1,000 from a neo-Nazi group. His candidacy is backed by the racist alt-right groups. And Moore is a birther, still insisting that Barack Obama was born in Kenya, and isn’t an American.”

Not every ad aimed at black voters is quite as bracing. In another common spot, paid for by the Alabama New South Alliance, a recap of Jones’s work as a U.S. attorney who prosecuted hate groups is coupled with his promise of what he would do in the Senate.

“Just one vote in the United States Senate saved Obamacare,” the ad’s narrator says. “Just one more vote can save this whole country.”

Both camps are confident that their direct approaches — which are not reflected in the TV ads that most voters have seen — will help their sides meet turnout models. In Stars and Stripes Forever’s case, the ad is designed to urge black voters not to vote at all. On its website, the PAC takes partial credit for Donald Trump’s gains with black voters relative to Mitt Romney, something Democrats think was more of a response to Hillary Clinton motivating fewer voters than Barack Obama. The anti-Democratic ads were designed after 2002 spots, controversial at the time, that ran on black radio in areas where black turnout decreased.

“While the increase in the Republican vote was not dramatic, the decrease in votes for the Democratic candidate was very significant,” the PAC explains. “Not only did the black and Hispanic vote total not increase as predicted by the Washington, D.C., GOP consultants, it actually declined substantially in both black and Hispanic areas reached by the radio and television advertising.”

Alabama Democrats, however, are cautiously optimistic about black turnout today. Jones spent the morning zipping between heavily black precincts; in Montgomery County, the single largest stronghold of black Democratic voters, local election officials said Tuesday that turnout might reach that of the 2016 general election. Jones, the first competitive Democratic candidate for federal office here since the early 1990s, also has been able to fully fund turnout operations in the so-called “black belt.”

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Megyn Kelly’s dismal ratings rise with focus on sexual harassment. Next up: Trump accusers.

December 12, 2017 by  
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NBC host Megyn Kelly attends an event in New York City on Nov. 29. (Monica Schipper/Getty Images)

Megyn Kelly’s hour of NBC’s “Today” show is still struggling but showing slight ratings improvement.

During the first month after the show’s Sept. 25 debut, its ratings dropped severely — and remained low. They began to climb in late October, when Kelly shifted the focus of her show from lighthearted banter to the ongoing discussion about sexual harassment, including interviews with accusers of Hollywood mogul Harvey Weinstein as well as media titans Bill O’Reilly and Mark Halperin.

And now she’s taking on President Trump, despite her pledge to avoid politics, by interviewing three women who have publicly accused him of sexually inappropriate behavior — allegations that he denies. On Twitter Sunday night, she announced plans to interview Jessica Leeds, Samantha Holvey and Rachel Crooks on Monday morning.

After the show, the women will participate in a news conference “calling for an investigation by Congress of sexual misconduct by the president,” according to a news release by Brave New Films, which is hosting the event. The media company released a documentary on Trump’s accusers in November.

At least 13 women have accused Trump of sexual harassment, according to The Washington Post.

Leeds told the New York Times that Trump groped her breasts and tried to put his hand up her skirt on an airline flight more than 30 years ago, while Crooks told CNN that Trump kissed her against her will in 2005. Holvey, a former Miss USA contestant, told CNN that Trump personally inspected contestants as though they were sexual objects during the 2006 pageant. It was “the dirtiest I felt in my entire life,” she said.

The interviews with Trump’s accusers are emblematic of the shifting identity of Kelly’s morning talk show, which has struggled in the ratings since its debut.

On the show’s premiere, Kelly had promised to avoid politics and invited audience members “to have a laugh with us, a smile, sometimes a tear, and maybe a little hope to start your day. Some fun! That’s what we want to be doing. Some fun.”

She mostly stuck to this format her first four weeks, and the reviews of the show were fiercely negative. And her gaffes made headlines. On one occasion, she asked a “Will Grace” fan whether he was homosexual because of that show. On another, she asked then-79-year-old Jane Fonda about her plastic surgery. Fonda, who had come to talk about her new Netflix movie, was heralded for being dismissive of Kelly’s question.

Kelly’s ratings were well below those of her predecessors Tamron Hall and Al Roker. During its first week, Kelly’s show was down 12 percent in total viewership from that time slot last year. The second week brought in 24 percent fewer viewers, and the third week saw a 23 percent smaller audience, according to Nielsen data obtained by Variety.

Things began turning around on Oct. 23 after Kelly delivered a pointed monologue critical of her former employer, Fox News, for its handling of sexual abuse allegations. She targeted former talk show host Bill O’Reilly, who was forced out of the network in April amid sexual harassment allegations, as The Washington Post reported.

She railed against comments he made during a CBS News interview before his ousting. When asked about the culture of sexual harassment at Fox News, O’Reilly said he wasn’t interested in having a conversation “that makes my network look bad.” He also said no one ever complained about his behavior.

“O’Reilly’s suggestion that no one ever complained about his behavior is false,” Kelly said. “I know because I complained.” (Kelly has previously accused the network’s ousted chairman Roger Ailes of sexual harassment. Ailes died in May.)

“Women everywhere are used to being dismissed, ignored or attacked when raising complaints about men in authority positions,” she continued. “They stay silent so often out of fear. Fear of ending their careers. Fear of lawyers, yes. And often fear of public shaming, including through the media.”

The monologue was widely praised. Vanity Fair’s Emily Jane Fox noted that Kelly “brought some of her old cutthroat flair” to the show. During an interview with Kelly on “Late Night,” Seth Meyers thanked her for the speech, which he called both “impassioned” and “wonderful.”

Kelly addressed sexual harassment on the next several installments of her show, discussing various powerful men accused of misconduct, including Trump, former president George H.W. Bush and NBC political analyst Mark Halperin. She also interviewed Halperin accuser Eleanor McManus, and two of the dozens of Weinstein accusers: actress Dominique Huett and former production assistant Mimi Haleyi.

Audiences responded immediately. The show’s ratings jumped by 10 percent, according to Nielsen data obtained by the Wrap. It was Kelly’s best-rated week.

The show has retained this boost, drawing an average of 2.296 million viewers through most of November, the Wrap reported. While this marks an improvement for the show’s ratings, it is still “historically low” for the month, according to the blog.

Jackie Levin, the show’s executive producer, said the shift was in keeping with the show’s goals.

“Our goal from the beginning was to present a smart, informative program that would uplift, inspire and empower,” Levin told Variety in a statement. “Sexual harassment is not only dominating headlines, but is pervasive, affecting nearly half of women in the workplace, according to recent polls. Given it’s a topic that Megyn also feels very strongly about, it’s been a natural fit for her to cover in a way that has hopefully helped empower viewers.”

When her “Today” colleague Matt Lauer was fired last month after an employee complained about “inappropriate sexual behavior in the workplace,” Kelly noted “this one does hit close to home.” Then she opined about the plight of sexual harassment victims.

“When this happens, what we don’t see is the pain on the faces of those who found the courage to come forward. And it is a terrifying thing to do,” she said. “We don’t see the career opportunities women lose because of sexual harassment or the intense stress it causes a woman dealing with it when she comes to work each day. I am thinking of those women this morning and hoping they are okay. The days to come will not be easy.”

Last week, her interviews also included actress Alyssa Milano, who encouraged women to share their personal stories of sexual harassment with the hashtag #MeToo.

Kelly hasn’t eliminated the lighter sequences — she recently cooked a holiday ham with Bon Appétit editor Adam Rapoport. But she weaves those kind of stories in among critiques and commentary about sexual assault.

More from Morning Mix:

6-year-old made $11 million in one year reviewing toys on You Tube

Breast-feeding Houston mom says she was kicked off Spirit Airlines flight

One of Japan’s few female Shinto priests was killed in a Samurai sword attack. Was it sibling rivalry?

 

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