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Daily Beast Critic: ‘Jurassic World’ Has ‘Backward Sexual Politics’

June 16, 2015 by  
Filed under Choosing Lingerie

‘Jurassic World’: A Big, Dumb, Sexist Mess
The fourth installment in the Jurassic Park franchise features hunky Chris Pratt, lots of people getting devoured by dinosaurs, and some backward sexual politics.

Jurassic World is not good. In fact, it’s aggressively bad.

Jurassic World is not about corporate greed, anti-militarization, crass commerciality, disrupting the food chain, or dinos eating the sh** out of people. No. It’s about a woman’s “evolution” from an icy-cold, selfish corporate shill into a considerate wife and mother.

Despite credits and promo materials that state otherwise, the main character of Jurassic World is not the swashbuckling, macho, ex-military Velociraptor trainer Owen Grady, played by Pratt. It is Claire Dearing (Bryce Dallas Howard), the park operations manager. Claire is so careerist, unfeeling, and apparently “unmaternal” that she clacks her heels around barking orders in bangs and a white pantsuit, and when her two young nephews (Nick Robinson, Ty Simpkins) arrive on the scene, she’s so buried in her work mobile that she shoos them away.

… the film turns into a bizarre twist on George of the Jungle. As Claire and Owen travel through the dino-infested rainforests in search of the missing children (the nephews — Ed.), he begins to loosen her up through good ol’ fashioned sweet-talkin’. For God knows what reason, Claire is still sporting her work blouse and heels and is very much the distressed damsel, but what do you know, after a few witty barbs he convinces her to roll up her sleeves and tie her shirt in a bow. More sweaty forest shenanigans, and she loses the shirt. And then the heels. Once they’ve emerged from woods, and after avoiding certain death several times, she’s born again: a sweaty, humorous, maternal woman who’s severed her ties to her job and is only concerned with saving her two boys. Oh, and she’s got a man, too.

… we’ll spare the spoilers … (but) Suffice it to say the climax and conclusion of the film really hammers home the unsettling “path to motherhood” journey.

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